In a literal twist of fate, the Sala di Pittura, or Painting Room, maintains its white walls, but acts as a mere canvas for an unidentified habitable object (UHO) at its centre: Incidental Space.
Rendering by Melina Mezari © Christian Kerez (right) Photo Oliver Dubuis © Christian Kerez (left) Christian Kerez, Incidental Space, 2015, Rendered 3D Scan. The walls of the Sala di Scultura, which translates as the Sculpture Room, are wrapped with a wallpaper depicting digital drawings of the yet-to-be-seen coup de grâce and photographs of its physical model shown at a scale of 1:1.Ĭhristian Kerez, Incidental Space, 2015, Photography. Swiss architect Bruno Giacometti's modern pavilion structure becomes the stage for Kerez's architectonic exploration. In an effort to reject the celebration and propogation of architecture's status quo, the Swiss architect instead opts to examine and challenge modes of production by doing. By removing the burden of regulations within the safety net created by the Biennale, Kerez tests the limits of technical processes and the imagination with a demonstration of pure research in physical form.Ĭhristian Kerez, Incidental Space, Installation View, Swiss Pavilion at the 15th Architecture Exhibition. VENICE – Inside the Swiss Pavilion at the 15th International Architecture Exhibition, Christian Kerez carves a scalable chamber which is not exactly architecture.
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